Skip to main content

~how i'm feeling~

Empathy. It's one of the traits that make us distinctly human. It's what makes people like us.

Much like making friends, empathizing is also how writers get their readers to root for the protagonist. Take Nea, for example. Reading "Saving Sourdi," we as readers are intentionally left in the oblivion of Sourdi's true situation--much like Nea is. Unlike the dramatic irony, in which our knowledge goes beyond the protagonist's, Chai uses mystery as an unexpected element to fully understand what characters feel. Or in writing our power paragraphs, our perception of Judd Mulvaney's personality and thoughts was so clear--just from a single page. Because instead of just describing Judd as a mature thinker, we're allowed into his mind to see how he thinks. "ONEtwothree. ONEtwothree." Those aren't typically the things that run through children's' thoughts. We'll only believe the extent of his deep personality until we see it explicitly.

Despite empathy being one of the staple traits of being human, I have to admit that it is one of my greatest weaknesses. The only bit of wisdom I can provide is that most of the time, we don't want solutions; we just want someone to listen. The more I deal with these situations, I've realized that people just want others to know how they feel. We crave to share our thoughts and feel less alone in doing so. And although I know this simple fact, I often still feel helpless when it comes to other people's feelings; so, if you have any suggestions on how you empathize with others, please let me know.

Comments

  1. I really enjoyed reading this Sabrina! Your line, "we don't want solutions; we just want someone to listen" is so important. I've had similar thoughts this week about the power of empathy and also how difficult it is to practice it.

    ReplyDelete

Post a Comment

Popular posts from this blog

A Gray Area

As we discuss the roles of pictures and words in conveying a story, I become mildly conflicted in several aspects. First, and most obviously, which one does the better job? To me, both forms of storytelling allow for creativity and personal thought. But, while writing is both specific and yet very imagination-based, illustrations tend to be only the latter. A drawing calls for "broader topics" (McCloud 815) of assumptions. And while that may be seen as a good thing, I see it as a source of miscommunication. Because images are open to so many different interpretations, often, the author's intended meaning is not truly understood. Similarly, I regularly find myself wondering if, as readers, we also look too much into the text and find meaning when the author actually had none. What if the author didn't really have a specific theme in mind and just wanted to write an amusing story? Of course, I may just be too simple-minded and unqualified, but I find myself doubting t...

Never Let Anyone Dull your Sparkle! (unless you're the 1920s)

Knowing that the Great Gatsby is set in the 1920s, I had been looking forward to reading the book for so long. This decade has always fascinated me because of its creation of a new society, which--for the first time in history--is relatable to ours. In my perspective, before the 1920s, history was bleak, the human lifestyle seemed near archaic, and nothing was the slightest bit comparable to the twenty-first century. But at the turn of a new decade, Roaring Twenties brought along the "New Woman" and the birth of mass culture, including a surge of trends and technology. A curtain for my car window? Of course, I'll buy it! However, in the Great Gatsby , I seemed to have forgotten that the book I was reading was about my favorite decade! Where's the excitement and innovation? Why aren't advertisements for the Model-T being shoved in my face? Needless to say, I was underwhelmed! But I don't think I was alone in thinking this. In fact, Fitzgerald's mess...

War and Peace

Violence. The Merriam-Webster dictionary defines it as the use of physical force so as to injure, abuse, damage, or destroy. In most ways violence can seem very obvious because of its portrayal in movies, video games, and crime; you picture blood, weapons, and fighting. But there seem to be sources of violence that tend to be less physical.  While looking at an image of a young boy in the arms of, presumably, his father whose head was covered by a bag, it seems that most of us agreed that it isn't  a violent image. In disbelief, Mrs. Valentino exclaimed that it is actually violent. However, in my head, it came across as almost peaceful. Now, I do acknowledge the sadness of this image, but what I really saw was a boy reuniting with his father among the vastness of a desert. There was a stillness that was reflected by the picture instead of the usual chaos that physical violence entails. So what really is violence? We can almost all agree that there should be a line dra...