Skip to main content

Some of the Best Surprises Come First

Is it an ideal? 

A matter of nature? 

Nurture?

No. It's a title.

It's like a blurb--a sneak peek--but it's so much more. It forms the framework of the mind, or as psychologists may compare it to, the schema. Titles fit into a single phrase or even a single word, yet have the ability to transform our entire interpretation of a set of text. And it's fascinating- that one addition can change our entire perspective of a situation, a person, and, of course, a poem.

That's how we work. We tend to identify someone by a lasting impression. She could've been a friend for years, but if someone told me she did something wicked, I would be wary. This beach could be beautiful, but if someone told me there were chemicals embedded in the sand, I would be wary. Even political theories that I'm adamant about--I could easily become doubtful if someone dealt me new information. On the contrary, when someone informs me of new positive information, it goes beyond adding information. It opens my eyes and fascinates me. This person is so much better than I had thought! 

And like that, when a poem is, literally, altered ever so slightly by a select number of words, it becomes so much better than I had thought. It becomes a pleasant surprise and exceeds whatever low expectations we may have. 

Comments

  1. Sabrina- this is fascinating. The way you enchantingly describe the significance of poetry titles- and all titles in general- is eloquent and captivating, exposing the often powerful undertones such works. You should be proud of yourself. Your writing has improved much since your time in my class. Great job! -Miss Ed Flight

    ReplyDelete

Post a Comment

Popular posts from this blog

The War

Despite the countless pieces of legislation passed under Roosevelt, what got America out of the depression was World War II. After World War I, America was actually very Isolationist. So as Roosevelt approached the war, he gradually promoted an Interventionist mindset. I mean, if Germany's going to intervene with everyone, why can't the U.S.?  So Roosevelt started getting involved with revising neutrality acts to allow for a cash-and-carry policy and later the Lend-Lease act so that the U.S. could provide arms and aid to the French and UK. And then, Pearl Harbor happened, so we all know what came next. Actual war. He was pretty much priming the U.S. for war so that when war actually happened, everyone wouldn't be in shock. Although FDR didn't live to see the end of the war he brought his country into, according to my AP Gov breakout rooms, he was deemed the most worthy of all the remaining Presidents to be carved into Mt. Rushmore. Both for the democratic party and demo...

The Fiction of Eye Contact

This picture makes me so  uncomfortable.  While it's eye-opening to find reason behind the normalities of point of view in film, the eye-level shot appears far from normal in my eyes. Is it the purple suit? The hands crossed? Or the specific positioning of the viewer on a table that makes me so uneasy? It's probably a combination of my suspicions, but I've decided that to its core, it's the eye contact that creates my discomfort. Most of these types of shots never reach the extent of eye contact. Instead, the similarity in levels creates a feeling of similarity shared by the character and viewer. There is no power disparity, no difference in viewpoint. Look at Forrest Gump and this eye-level shot (note that he's not looking at you). But once eye contact comes into play, the connection is too strong. Of course, any good producer will aim to form a connection for an audience to a film. However, there's comfort in a screen lying between a film and its viewer. It...

The Pandemic... Again

It's the end of April, over a year since the pandemic transformed our world. Like a blanket covering our heads, the coronavirus and the lockdown that ensued has suffocated us for far too long. I remember writing about the pandemic months ago--about how terrible school, our social lives, and mental states became. Now, we remain in this in-between, where we can kind of go out, but where we still fear. Life isn't terrible, but it's not amazing. We can't even complain, but at the same time, we can't enjoy life fully. We've gotten so habituated to the bad, that now, we're just languishing--tolerating these moments. I used to tell my mom about my whole day, starting from before class started to every hour's minute events. Now, when she asks, "how was school?" I can't even bring myself to say "good"--not even "bad." It doesn't make sense, but my instinct is to say, "it just is." Is... what? I don't know either...